KisahThe Last Jedi semakin seru dengan parade adegan aksi. Rian Johnson memberikan klimaks yang sanggup membuat penonton geregetan. Ini ditambah kehadiran visualisasi indah dengan warna-warna tajam. Sayang, kebimbangan soal pilihan baik dan jahat berpengaruh terhadap ritme cerita. Sejumlah bagian The Last Jedi terlalu panjang dan tidak berkesudahan. MovieInfo. Luke Skywalker's peaceful and solitary existence gets upended when he encounters Rey, a young woman who shows strong signs of the Force. Her desire to learn the ways of the Jedi forces Continuingwhere Star Wars: Episode VII - The Force Awakens (2015) left off, Star Wars: Episode VIII - The Last Jedi (2017) sees The Resistance striving to stay ahead of The First Order. Rey seeks guidance from Jedi-in-hiding Luke Skywalker so she can learn the ways of The Force, and defected storm-trooper FN-2187 (Finn) will have his faith in The Resistance tested as his past with The First Order comes to haunt not only him, but also threatens the very foundations of the galaxy's future. Thislack of leadership and direction created a great deal of confusion, which shows on screen as The Last Jedi is just as muddled, with no one to take hold of the reins. Return of J.J. Abrams TheLast Jedi Ketika Baik - Jahat Tidak Selalu Mutlak Resensi Film BOMBSHELL. Upon re-watching all these films back-to-back you can truly see the mastery of Rian Johnson. THE FINALE Pertarungan Sang Guru di. The Last Jedi berhasil meraup pendapatan sebesar US 450 juta atau setara dengan Rp64 triliun. Needless to say this is something of a huge surprise. Episode VIII - The Last Jedi 2017 - Filming Production - IMDb. Dịch VỄ Hỗ Trợ Vay Tiền Nhanh 1s. Star Wars Os Últimos Jedi NotĂ­cias VĂ­deos CrĂ©ditos CrĂ­ticas dos usuĂĄrios CrĂ­ticas da imprensa CrĂ­ticas do AdoroCinema Filmes online Assista agora em Disney + UsuĂĄrios 4,4 1841 notas e 173 crĂ­ticas Avaliar verEscrever minha crĂ­tica Sinopse NĂŁo recomendado para menores de 12 anos Em Star Wars EpisĂłdio VIII, apĂłs encontrar o mĂ­tico e recluso Luke Skywalker Mark Hamill em uma ilha isolada, a jovem Rey Daisy Ridley busca entender o balanço da Força a partir dos ensinamentos do Mestre Jedi. Paralelamente, a Primeira Ordem de Kylo Ren Adam Driver se reorganiza para enfrentar a ResistĂȘncia. Assista ao filme Assistir Veja todas as opçÔes de streaming CrĂ­ticas AdoroCinema Lançado hĂĄ dois anos, Star Wars - O Despertar da Força reacendeu a chama de Guerra nas Estrelas tendo como principal foco o sentimento nostĂĄlgico com relação Ă  trilogia original, investindo na participação do trio principal Harrison Ford, Carrie Fisher e Mark Hammil e abusando das semelhanças com a trama do EpisĂłdio IV - Uma Nova Esperança. Empolgante e divertido, o longa de 2015 pecava justamente por essa falta de originalidade, sendo quase que uma refilmagem do filme que deu inĂ­cio Ă  saga. Agora, dois anos depois, temos a chegada de Star Wars - Os Últimos Jedi, que nĂŁo deixa de lado o sentimento nostĂĄlgico, mas que oferece uma trama mais interessante. Do ponto de vista narrativo, hĂĄ semelhanças sim com O ImpĂ©rio Contra-Ataca, mas longe de ser uma cĂłpia. O filme tem inĂ­cio com a Primeira Ordem numa posiç Ler a crĂ­tica Trailer 229 234 205 212 035 211 8 trailers Entrevistas, making-of e cenas 4 videos Últimas notĂ­cias 530 NotĂ­cias e MatĂ©rias Especiais Elenco Ficha completa ComentĂĄrios do leitor eles gostaramAs melhores e mais Ășteis crĂ­tica O InĂ­cio de Star Wars começa tenso e com forte emoção . O 1Âș ato foi fascinante, fica meio confuso as explicaçÔes em relação ao passado, mas com o passar das cenas vocĂȘ vai encaixando as explicaçÔes. AlĂ©m disso percebemos a Rey si desenvolvendo rapidamente, porĂ©m ainda Ă© muito confuso em relação a suas habilidades, nĂŁo posso adiantar nada, entretanto essas dĂșvidas dela tornam tudo mais interessante, o mesmo ocorre com o Ben ... Leia Mais Ahhh o grande dia finalmente chegou!!! A expectativa tava la nas estrelas!!! Essa semana inteira para onde olhava via uma galĂĄxia muito muito distante!! Ja se passaram 2 anos depois do episĂłdio 7 e voltar para a saga mais amada da cultura pop de todos os tempos foi uma experiencia nova!! Star Wars The Last Jedi, do Diretor Rian Johnson, inicia logo apĂłs o Despertar da Força 2015, Abrams, e começa com o encontro de Luke Mark Hamill ... Leia Mais Muito bom mesmo, confesso que nĂŁo imaginava que a Disney ia fazer um trabalho tĂŁo bom com essa terceira trilogia. O segundo filme da nova trilogia de Star Wars faz diferente do que se esperava de um filme do meio. NĂŁo chega a ser um "ImpĂ©rio Contra-ataca", mas Ă© tĂŁo bom quanto no que se propĂ”e a fazer. Star Wars Os Últimos Jedis constrĂłi uma narrativa que brinca com a dualidade luz x trevas o tempo todo 1h40, fazendo com que o espectador duvide de vĂĄrios diĂĄlogos entre o nĂșcleo principal de personagens, nesse sentido, o roteiro de Rian Johnson, ... Leia Mais 173 ComentĂĄrios do leitor Fotos 75 Fotos Curiosidades das filmagens O que fizeram com Luke? ApĂłs ler o roteiro, Mark Hamill disse a Rian Johnson que ele nĂŁo concordava com os rumos que seu personagem, Luke Skywalker, tomava no filme. Apesar disso, o astro afirmou que daria o seu melhor durante as filmagens. Saudades, Carrie s2 A prĂ©-estreia do filme, realizada em 09 de dezembro de 2017, em Los Angeles, contou com uma homenagem a Carrie Fisher, que faleceu em 27 de dezembro de 2016. NĂŁo foi dessa vez Ewan McGregor demonstrou interesse em reprisar seu papel de Obi-Wan Kenobi neste filme. curiosidades Detalhes tĂ©cnicos Nacionalidade EUA Distribuidor Walt Disney Pictures Ano de produção 2017 Tipo de filme longa-metragem Curiosidades 16 curiosidades Orçamento - Idiomas InglĂȘs Formato de produção - Cor Colorido Formato de ĂĄudio - Formato de projeção - NĂșmero Visa - Se vocĂȘ gosta desse filme, talvez vocĂȘ tambĂ©m goste de... Mais filmes Melhores filmes do ano 2017, Melhores filmes Ação, Melhores filmes de Ação de 2017. ComentĂĄrios Star Wars has now occupied a galaxy of its own in the zeitgeist for 40 years and shows no signs of disappearing anytime soon; to the contrary, each new year brings a new Star Wars film of one kind or another, so using the word “last” in connection with anything to do with the series seems a bit disingenuous. Rather, this latest, and longest, franchise entry has the decided feel of a passing-of-the-torch from one set of characters, and actors, to the next. Loaded with action and satisfying in the ways its loyal audience wants it to be, writer-director Rian Johnson’s plunge into George Lucas’ universe is generally pleasing even as it sometimes strains to find useful and/or interesting things for some of its characters to do. Commercially, Disney is counting on another haul soaring past a billion dollars in worldwide theatrical box office alone. As indicated by the dramatic finale of Star Wars The Force Awakens two Christmases ago, the follow-up is anchored by the attempt by Daisy Ridley’s Rey to persuade Mark Hamill’s Luke Skywalker to indoctrinate her in the ways of the Jedi. As a warm-up, however, the first quarter-hour is mostly devoted to the evil First Order’s outer space attack on the Resistance, led by General Hux, who’s goofily played by Domhnall Gleeson as if he were acting in a Monty Pythonesque parody. Still, the resurgent fascists decimate the fleet and put the good guys on their heels. The Bottom Line Far from the last or the least. Release date Dec 15, 2017 Back on terra firma or, to be specific, the thrusting oceanic mountain hideaway so splendidly represented by Skellig Michael, Rey finds Luke in a singularly depressive state, ready to call it a day where Jedi and the force are concerned. For him, it’s all over, and Rey has her work cut out for her getting Luke to change his mind. There are generational differences of opinion on the dark side as well. When Kylo Ren Adam Driver, the turncoat son of Leia and the late Han Solo, shows up in a Darth Vader outfit, Supreme Leader Snoke a deliciously heinous Andy Serkis barks, “Take that ridiculous thing off!” This is the sort of mild all-in-the-family irreverence that the fan culture eats up and Johnson — who here becomes the first person to single-handedly write and direct a Star Wars feature since George Lucas did the honors on the original and two of the “prequels” — injects a good deal of this sort of elbow-jabbing humor into the proceedings. Hardcore series devotees will decide to what extent the new film functions in an equivalent way to how The Empire Strikes Back did in the initial trilogy in 1980. But what it definitely does is stir the pot with ambivalence on both sides of the good-and-evil equation Just as Luke is ready to pack it in as far as perpetuating the Jedi tradition is concerned, so does Kylo Ren begin to question his abandonment of his true legacy; the tables keep turning here, which is desirable from the dramatic point of view of sustaining fan excitement about what’s in store two years from now and beyond. Johnson, whose three indie-slanted prior features — Brick, The Brothers Bloom and Looper — are all crime tales tinged with offbeat humor, is faced with at least two major narrative challenges to advance the renewed face-off between the resurgent First Order and the beleaguered Resistance and to further develop the characters introduced two years ago. As to the first issue, neither here nor in The Force Awakens is it convincingly shown how the demolished Evil Empire was able to bounce back so powerfully just 30 years after its destruction. Even less clear is where Snoke came from, not to mention how he ended up with a face that looks like a twisted and rotted old tree. It feels like not nearly as much time is spent with the bad guys than has been the case in previous Star Wars incarnations no Peter Cushing-back-from-the-dead appearances here. As for the one who counts, Kylo Ren, it remains difficult to accept Driver physically as the son of Ford and Fisher unless there’s a surprise parentage revelation yet to come, which could make for a good joke, although the character’s complexities begin emerging in interesting ways that promise even more surprises in two years’ time, when Abrams’ third chapter to this yarn, the still-untitled Star Wars Episode IX, will land. More crucial is building up audience interest in and sympathy for the new banner carriers for the Resistance, and the results remain mixed. As bold soldier Finn, John Boyega made a big splash two years ago, but his character more or less treads water here; he’s reduced to more generic athletics. An adventure he shares with a new character, maintenance worker Rose Tico Kelly Marie Tran, isn’t one of the most compelling interludes of the film’s 162 minutes. Lupita Nyong’o is in again briefly as the leather-skinned-looking old pirate Maz Kamata. Towering Gwendoline Christie, so wonderful in Game of Thrones, is, ironically, hard to spot. The one character who begins to come into his own here is Oscar Isaac’s fighter pilot Poe Dameron. His status seemed rather generic and uncertain in The Force Awakens, but there’s more confidence here both in the writing and performance of the character as he steps up to fill the void left by Harrison Ford’s Han Solo, without yet having achieved that sort of stature. Perhaps in the next episode. At this stage, Poe has his hands full not only with the First Order’s warriors but with a disconcerting new character who has parachuted into the story. Laura Dern’s Vice Admiral Amilyn Holdo is a lavender-haired, oddly accoutered contemporary of Leia who turns up ostensibly to help the Resistance. But she has an odd way of speaking, doesn’t like “trigger-happy fly-boy” Poe at all and is so negative about every proposal made to thwart the enemy that one might imagine she’s working for the other team. Time will no doubt tell what her game is, but one shares Poe’s apprehensions. Mixed in with these emotions is the poignance attached to Fisher’s death a year ago toward the end of production. Enlivening things in a more positive way is a blaggard named DJ played with great mischief by Benicio del Toro, who sneaks and slithers around and plays all sides like an unusually active lizard. But while the physical action unfolds in the air and on land the climactic battle explicitly recalls the celebrated combat involving the giant AT-AT, or Imperial Walkers, in The Empire Strikes Back, the real drama lies elsewhere, that being in the weird space that prolonged solitude has made of Luke Skywalker’s head and heart. Stating that he considers himself “a legend and a failure,” Yoda’s former devoted student prefers to let his lineage and teachings die out, and an ideological battle ensues, involving both Rey and Kylo Ren, that’s philosophically engaging and narratively elemental. It’s where the film has been headed all along and will assuredly serve as the springboard for what’s to come in two years. Narratively, Johnson has a tendency to create digressions within digressions, not that there’s anything necessarily wrong with that as long as you’re skilled enough to keep multiple balls in the air, which he mostly is. The humor does at times strike notes unusual for the franchise, more often to the good than bad, and John Williams’ vigorous eighth Star Wars franchise score never sounds rote or tiresomely familiar. Maybe the film is a tad too long. Most of the new characters could use more heft, purpose and edge to their personalities, and they have a tendency to turn up hither and yon without much of a clue how they got there; drawing a geographical map of their movements would create an impenetrable network of lines. But there’s a pervasive freshness and enthusiasm to Johnson’s approach that keeps the pic, and with it the franchise, alive, and that is no doubt what matters most. Production company LucasfilmDistributor DisneyCast Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern, Benicio Del ToroDirector-screenwriter Rian Johnson, based on characters created by George LucasProducers Kathleen Kennedy, Ram BergmanExecutive producers Abrams, Tom Karnowski, Jason D. McGatlinDirector of photography Steve YedlinProduction designer Rick HeinrichsCostume designer Michael KaplanEditor Bob DucsayMusic John WilliamsCasting Nina Gold, Milivoj Mestrovic, Mary Vernieu Rated PG-13, 162 minutes Home » Star Wars The Last Jedi Review December 18, 2017 Comments count0 Abrams had an unenviable task two years ago when he set out to make what became The Force Awakens reboot Star Wars without changing anything. And to his credit, he did just that by making a shockingly giddy reinvention of that galaxy far, far away that also played like the greatest hits of what came before. But for all his success, the rewards found in The Last Jedi prove even greater. At last we have, for the first time in ages, a Star Wars movie that’s all too happy to go where we don’t expect. To be sure, Rian Johnson’s evocative and often exhilarating sequel continues the post-Disney mandate to remix elements that bask in the familiar. Hence why the First Order is even more imperial this time, striking back against Resistance forces who look increasingly like rebels; Jedi and evil sorcerers alike sit in chairs while skeptically sizing up would-be apprentices; and we even get an epic battle on a planet that may as well be called Salt Hoth given how powdery white those crystals look when the AT-M6 walkers stomp across the landscape like mechanized buffalo grazing during the dregs of winter. Yet within all this repetition, Johnson uses his solitary writing and directing duties to massage and then manipulate our nostalgia. His film subverts and seduces, twists and turns, and frankly challenges us just when the audience dares to get too comfortable. It also gives a needed shot of adrenaline to the numerical Star Wars films that, by the end, leaves you uncertain what is up and what is down, or what is light and what is dark. Still, most will be delighted to jump to lightspeed to find out. That alone makes this vision far less ominous than the marketing suggests. Without giving too much away, The Last Jedi is largely a 152-minute chase across the stars. After a spectacular opening battle, the rebellious and tattered Resistance, led by an unsinkable General Leia Carrie Fisher, spends much of the film fleeing through the cosmos with the First Order nipping at their heels. Despite suffering a grievous blow at the end of the last movie, Andy Serkis’ Supreme Leader Snoke has regrouped his armies and is unfazed as he reinstates fascist rule throughout the galaxy. Intriguingly, however, no matter how high the stakes are raised in this intergalactic grudge match, the most compelling events are occurring on a little island that looks an awful lot like Ireland. In actuality though, it’s Ahch-To, and it is there that this movie picks up right where The Force Awakens left off. Rey Daisy Ridley has come to recruit Luke Skywalker Mark Hamill back into the good fight. Unfortunately, she finds him
 less than receptive. Worse still, not only does Luke refuse to get back onto the Millennium Falcon, but this last of the Jedi also demurs from training Rey in his ancient religion. Instead he views his guest as first a nuisance and then later as something akin to his last pupil, Kylo Ren Adam Driver. She’s dangeorus. As it turns out, there are many similarities between Rey and Ren that extends beyond their names, and the more it haunts Luke, the more resistant he becomes. Thus Rey is tempted to seek answers from the other party of this failed master and padawan relationship, just as the First Order begins closing the gap between itself and the wounded Resistance Fleet. Remarkably in spite of its length, The Last Jedi is mostly able to keep things moving at an even keel and with a tonal dexterity that is unusual for the franchise. While the movie borrows more than a few elements from the beloved middle chapter of the original Star Wars Trilogy, The Empire Strikes Back plus some of Return of the Jedi too, Rian Johnson has infused the material with his own decidedly playful sensibility. With more than a hint of self-deprecation, the movie flips on a dime from the reverential and earnest awe that Abrams placed in his worshipful predecessor to gags with the sharpest sense of humor this side of Jabba’s Palace. Seriously, the little Porg aliens who infest Ahch-To threaten to steal the whole film. This is not to say that The Last Jedi ever risks erring into the realm of comedy, or even the pseudo-comedies of Lucasfilm’s sister Disney division, Marvel Studios. There is simply a noticeable dedication to freshen up what is considered appropriate Star Wars, all while maintaining the genuinely gee-whiz delight that has long been entrenched in this saga. The effect intentionally buttresses the familial melodrama that comes in the film’s second half, which crescendos nicely into a grandiose opera by the finale. But to get there, it can at times feel overstuffed, even at two and a half hours. Cut and cropped at a dizzying pace, the top-heavy editing of The Last Jedi suggests Johnson had to still squeeze his already fast-paced yarn into its luxurious running time. This is all the more peculiar since much of the narrative that doesn’t involve Rey, Kylo, or Luke can sometimes appear irrelevant during the middle. For instance, Finn John Boyega and newcomer Rose Kelly Marie Tran attempt an espionage mission that takes them to what is the Star Wars equivalent of the French Riviera. It’s a casino city named Canto Bight, and their adventures here push the Rick’s CafĂ© sensibilities from the original Star Wars’ cantina sequence to their limit. Nevertheless, this entire subplot amounts to a whole lot of padding while the real tough and revelatory decisions are made on Ahch-To. In an even more supporting role is Oscar Isaac as Poe Dameron. While Poe still plays third banana to Rey and Finn, his increasingly complicated relationship with Leia and Vice Admiral Amilyn Holdo Laura Dern is one of the stronger elements of the picture, and provides the Star Wars universe with another wonderfully realized female leader. It also allows Isaac to ever more defiantly slouch into the Han Solo role of the next generation, a neat feat for an actor who was supposed to have only cameoed in The Force Awakens. Still, the movie belongs to its revered history. Hamill plays Luke as gnarly and grim, and almost wholly unlike the farmboy or heroic Jedi we remember from 35 years ago. Leia is conversely even more like the late-great Carrie Fisher this time around She’s dry, sardonic, and lovably deadpan. Developing the wit of Hollywood royalty to accompany her onscreen princess title, Leia’s grace and Luke’s mercurial misery are what ties the film together. This movie is very much about them accepting the past and bequeathing their future to young people who are more than just the franchise’s fresh crop this time around—they’ve become true heirs. Join our mailing listGet the best of Den of Geek delivered right to your inbox! The heavy lifting Johnson does—balanced with more than a little fan service—causes The Last Jedi to be Star Wars’ true legacy film. With the torch already passed before the opening crawl, the protagonists now wield this heritage as swiftly as a lightsaber, and when it comes down to the pairing of Ridley and Driver, the movie crackles with real force. Much of the film is about Hamill letting go of the past, but with Ridley and Driver bringing considerable heat and shadings of equivocacy to their roles, they each promise a future for Star Wars more layered than good versus evil, or Jedi versus Sith. Driver also confirms Kylo to be one of the decade’s best baddies. It is in their scenes together the film finds its true spark, and it’s one that lights up the movie’s numerous and impressive action sequences. With a painterly eye and the showmanship of an old school Western epic, Johnson draws each battle and lightsaber sequence with the kind of visual poetry and patience almost forgotten at the blockbuster level—and populates it with characters who are not just lovable, but now are also very, very troubled. By the end, an ambiguity has seeped into the Star Wars universe, and with it, a new overcast gray hangs above all the players. Yet the contrast just makes them and the hue of their blades pop all the brighter. Every new Star Wars movie since Disney bought Lucasfilm has been heralded as the first worthy successor to the Original Trilogy, but with The Last Jedi it’s finally true. Privacy Settings Star Wars Os Últimos Jedi NotĂ­cias VĂ­deos CrĂ©ditos CrĂ­ticas dos usuĂĄrios CrĂ­ticas da imprensa CrĂ­ticas do AdoroCinema Filmes online Fotos Curiosidades Bilheterias Filmes similares Lançado hĂĄ dois anos, Star Wars - O Despertar da Força reacendeu a chama de Guerra nas Estrelas tendo como principal foco o sentimento nostĂĄlgico com relação Ă  trilogia original, investindo na participação do trio principal Harrison Ford, Carrie Fisher e Mark Hammil e abusando das semelhanças com a trama do EpisĂłdio IV - Uma Nova Esperança. Empolgante e divertido, o longa de 2015 pecava justamente por essa falta de originalidade, sendo quase que uma refilmagem do filme que deu inĂ­cio Ă  saga. Agora, dois anos depois, temos a chegada de Star Wars - Os Últimos Jedi, que nĂŁo deixa de lado o sentimento nostĂĄlgico, mas que oferece uma trama mais interessante. Do ponto de vista narrativo, hĂĄ semelhanças sim com O ImpĂ©rio Contra-Ataca, mas longe de ser uma cĂłpia. O filme tem inĂ­cio com a Primeira Ordem numa posição de superioridade, embora tenha tido sua base destruĂ­da no anterior. Com uma maior presença do lĂ­der supremo Snoke, eles tentam acabar com os Ășltimos resquĂ­cios da Aliança Rebelde, que fogem pelo mesmo tempo, Rey segue na ilha tentando convencer Luke Skywalker a liderar o contra-ataque da RepĂșblica, se tornando Ă­cone da rebeliĂŁo. Ele, no entanto, nĂŁo se mostra interessado em lutar e tampouco quer treinar a jovem, vendo nela uma ameaça semelhante a de Kylo Ren, seu ex-pupilo que o filme divide bem as duas linhas de ação. Por mais que a forte presença em cena de Hammil seja evidente, o outro nĂșcleo tambĂ©m Ă© essencialmente Star Wars, com estratĂ©gias de combate, tentativas de invasĂŁo, exploração de planetas exĂłticos e muito saga Star Wars sempre dedicou atenção ao pĂșblico infantil, com inĂșmeros personagens bobinhos ao longo das dĂ©cadas. E isso nĂŁo Ă© diferente aqui, embora pareça que o filme erra um pouco na mĂŁo do humor, no que parece ser um novo padrĂŁo Disney. Principalmente na primeira metade, hĂĄ um excesso de piadinhas e personagens bobinhos, como os Porgs, novo espĂ©cie bonitinha feita para vender bonequinhos. The Last Jedi no original oferece uma tempestade de emoçÔes aos fĂŁs da franquia, tanto dentro da histĂłria participaçÔes de Luke e referĂȘncias aos originais, quanto fora impossĂ­vel nĂŁo se emocionar toda vez que Carrie Fisher aparece. Falando em Carrie, o filme aumenta a participação da general Leia e gera uma sĂ©rie de questĂ”es sobre o futuro, uma vez que a ideia era que ela assumisse uma posição central no EpisĂłdio IX. Diretor de dois dos melhores episĂłdios de Breaking Bad “Fly” e “Ozymandias”, Rian Johnson foi o responsĂĄvel por assumir o comando do novo filme, um desafio apĂłs o bom trabalho de Abrams. E Rian tambĂ©m foi bem, principalmente no comando de cenas de ação, muitas vezes realistas na medida que batalhas intergalĂĄticas podem ser realistas, Ă© claro. Sem precisar ser igual a O ImpĂ©rio Contra-Ataca, Os Últimos Jedi muda o jogo da mesmo forma que o filme citado fez com o original, abrindo um leque de possibilidades. Destaca-se ainda o desenvolvimento de personagens, principalmente Kylo, Rey, Poe e vivida por Kelly Marie Tran, Ă© o destaque dentre os novos personagens, enquanto DJ Benicio Del Toro e Holdo Laura Dern possuem breves mas importantes participaçÔes. Como geralmente acontece, o longa conta com excepcionais trabalhos de edição de som, mixagem e efeitos especiais. As coreografias dos confrontos remetem filmes de guerra realistas, como O Resgate do Soldado Ryan, tornando a experiĂȘncia mais empolgante. A trilha sonora de John Williams tambĂ©m estĂĄ presente por todos os 152 minutos de duração o que faz do filme o mais longo da franquia.Star Wars - Os Últimos Jedi nĂŁo Ă© um filme perfeito, mas oferece um Ăłtimo entretenimento e apresenta personagens apaixonantes. E, mais uma vez, tem Carrie Fisher e Mark Hammil. Que, infelizmente, jamais estarĂŁo juntos em outro set de filmagens. As Ășltimas crĂ­ticas do AdoroCinema Melhores filmes Melhores filmes de acordo a imprensa ComentĂĄrios JAKARTA - Setelah dinantikan sekian lama, Star Wars The Last Jedi akhirnya bisa dinikmati para pencintanya di Tanah Air. Di Indonesia, film ini sudah bisa disaksikan di bioskop kesayangan Anda. The Last Jedi adalah kelanjutan dari kisah The Force Awakens yang diluncurkan pada 2015 lalu. Di Star Wars Episode VII itu, Han Solo yang diperankan Harrison Ford tewas dibunuh Kylo Ren Adam Driver yang sebenarnya adalah anaknya sendiri, yaitu Ben Solo, buah cintanya degan Putri Leia Carrie Fischer. Di The Last Jedi, Luke Skywalker Mark Hamill mengasingkan diri ke Acht-To, sebuah pulau tempat pertama kali kuil Jedi didirikan. Rey Daisy Ridley berhasil menemukannya dan berusaha agar mau kembali berjuang bersama para Pemberontak pimpinan Leia untuk menghancurkan Force yang dipimpin Snoki Andy Serkis. Sementara di antariksa, Pemberontak terus berusaha menghadang serangan Force. Dipimpin Poe Dameron Oscar Isaac yang ambisius tapi kurang perhitungan, mereka kemudian berhasil menghancurkan sebuah pesawat antariksa raksasa milik Force meski harus kehilangan banyak anggotanya dalam misi tersebut. Setelah serangan itu, Pemberontak harus menemukan tempat untuk mendarat karena persediaan bahan bakar mereka yang terus menipis. Bukan perkara mudah karena pasukan Force terus memburu mereka. Finn John Boyega kemudian menemukan ide untuk menyusup ke pesawat utama Force untuk mengulur waktu hingga Pemberontak mendapatkan bantuan atau mendarat. Disetujui oleh Poe dan dibantu Rose Kelly Marie Tran, dia kemudian pergi mencari seorang pemecah kode untuk menghambat pesawat Force. Sementara, Rey yang terus merayu Luke akhirnya menemukan sejarah tentang Jedi dan ingin mempelajarinya. Luke yang awalnya enggan mengajari Rey, akhirnya lulus dan mengajari gadis itu. Di sisi lain, kemampuan Rey untuk berhubungan dengan Kylo Ren terus berkembang. Keduanya sering berkomunikasi dan Rey terus berusaha membujuk agar Kylo berhenti mendukung Force. Sutradara Rian Johnson sepertinya berhasil merajut kisah The Last Jedi menjadi salah satu kisah menarik untuk terus diikuti dari awal sampai akhir. Meskipun terkesan serius, tapi dia juga pintar menyisipkan kekonyolan yang bisa membuat penonton tertawa. Salah satu kekuatan Star Wars tentu adalah perang di antariksa. Dan, The Last Jedi pun tak ketinggalan memamerkan pesonanya. Selama 2 jam 32 menit, perang antara pesawat antariksa pun bakal memanjakan Anda. Dahsyatnya tembak-tembakan dan ledakan pesawat di perang bintang ini pun seolah nyata dan sangat menghibur. Rasanya sangat sayang melewatkan adegan demi adegan dalam film ini. Tepuk tangan penonton selama menyaksikan adegan perang ini bakal menambah seru pengalaman menonton Anda. Tapi, tak hanya itu. Perang light saber pun masih akan terjadi di The Last Jedi ini. Ada perang yang memang harus dilakukan, tapi ada juga perang lightsaber yang terjadi karena emosi yang tak terbendung. Jika Anda ingin mencari tontonan seru yang bisa disaksikan bareng keluarga dan teman, maka Star Wars The Last Jedi adalah jawaban untuk Anda. Gambar yang indah dan adegan action yang dahsyat bakal memanjakan mata Anda. Sementara, kisah-kisah yang menyentuh bakal membuat Anda terlena menyaksikan film ini. Selamat menonton! alv

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